International exhibition.

Opening and awards ceremony.
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                                                  General views.

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                                                                                    The works.

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                                                                                    • ACQUISITION AWARD. Baiba Osite, Latvia. Substantia, 2017. Driftwood, canvas, linen. Own technique. 140x210cm.
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                                                                                    • HONOURABLE MENTION. Alejandra Ruiz, Colombia. Piedras textiles (Textile Stones), 2015-2018. Used garments, textile leftovers, threads, resin, pigments, moulding, agglomeration (compositing), cutting, carving, polishing, assembly. 30 pieces each 30x35x10cm.
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                                                                                    • HONOURABLE MENTION. Alejandra Ruiz, Colombia. Piedras textiles (Textile Stones), 2015-2018. Detail.
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                                                                                    • HONOURABLE MENTION. Alejandra Ruiz, Colombia. Piedras textiles (Textile Stones), 2015-2018. Detail.
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                                                                                    • HONOURABLE MENTION. Alejandra Ruiz, Colombia. Piedras textiles (Textile Stones), 2015-2018. Detail.
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                                                                                    • HONOURABLE MENTION. Alejandra Ruiz, Colombia. Piedras textiles (Textile Stones), 2015-2018. Detail.
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                                                                                    • HONOURABLE MENTION. Aud Bekkelund, Norway. Basal Structure, 2015. Wire of old data centres. Own technique. 164x200x10cm.
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                                                                                    • HONOURABLE MENTION. Jenny Ymker, The Netherlands. Inside Out, 2017. Wool and cotton. Jacquard weaving. 87x132cm.
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                                                                                    • Aleksandra Richert, Poland. Creature II, 2017. Felt, thread, silicone filling. Handcutting and ironing of the felt, own technique. 190x80x30cm.
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                                                                                    • Alexandra Knie, Germany/Spain. Conservation of Popular Viruses, 2017. Yarn on canvas and fabric, acrylic glass tubes, Machine embroidery. 160x84x30cm. 28 objects.
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                                                                                    • Alexandra Knie, Germany/Spain. Conservation of Popular Viruses, 2017. Yarn on canvas and fabric, acrylic glass tubes, Machine embroidery. 160x84x30cm. 28 objects.
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                                                                                    • Alexandra Knie, Germany/Spain. Conservation of Popular Viruses, 2017. Yarn on canvas and fabric, acrylic glass tubes, Machine embroidery. 160x84x30cm. 28 objects.
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                                                                                    • Alves Dias, Portugal. Velaturas Téxtewis (Textile Veilings), 2017-2018. Fabrics, papers, magazines, waste, acrylic fibre, linen and cotton fibers, hand spun linen and cotton. Mixed media. Variable dimensions. 6 pieces between 20x20cm and 32x32cm.
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                                                                                    • Ana Rita de Albuquerque, Portugal. Deja vu / Jamais vu (Already Seen/Never Seen), 2018. Unprocessed wool, Portuguese merino, metallic yarn, custom-made glass aquarium. Hand felting, shibori. 80x60x15cm.
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                                                                                    • Anais Duplan, France. Right: Movement, 2017. Horsehair. Weaving. 80x60cm. Left: Strata, 2016. Horsehair. Weaving. 85x45cm.
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                                                                                    • Ane Henriksen, Denmark. Men’s World in the Hands of Women, 2016. Unsolicited shirts from the dry cleaning woven in a shaft loom. 280x232cm.
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                                                                                    • Ane Henriksen, Denmark. Office Landscape, 2016. 41 worn out shirts collected at a Danish countryside savings bank. Woven. 123x145cm.
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                                                                                    • Anne Moreno, Spain. As pedras vivem lentamente (Stones Live Slowly), 2017. Cotton fabric, threads. Hand printing, embroidery. 72x119cm.
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                                                                                    • Aram Lee, South Korea. Dutch wife, 2017. Wool. Knitting. 3 pieces. 148x124cm, 111x146cm, 148x76cm.
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                                                                                    • Asuka Miyata, Japan. Knot, Knot, Knot, 2018. Silk, cotton, linen, knot yarn, kimono residual threads. Machine knitting. 2 pieces of 170x180cm.
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                                                                                    • Asuka Miyata, Japan. Knot, Knot, Knot, 2018. Silk, cotton, linen, knot yarn, kimono residual threads. Machine knitting. 2 pieces of 170x180cm.
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                                                                                    • Asunción Espada, Spain. A Lot of Inorganic Haikus, 2017. Rubber, cotton, blended. 225x150cm.
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                                                                                    • Billy Black, United Kingdom. Twelve Steps, 2017-2018. Acrylic yarn, knitting and crochet. 80x70x70cm.
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                                                                                    • Carolina Sales Teixeira, Portugal. Accidental praia (Accidental Beach), 2018. Cotton, acrylic. Watercolour and cyanotype on cotton. silver gelatin. 9 pieces of different dimensions.
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                                                                                    • Caroline Schofield, Ireland. Freefall, 2018. Cotton and polyester thread. Machine stitched. 75x60cm each. Three pieces.
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                                                                                    • Concha Romeu, Spain. What Is Left, 2017. Silk, cotton and acrylic. Mixed media. 81x65cm.
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                                                                                    • Creuzas e Jaquelines, Brazil. Left: Retratos I (Portraits I), 2017. Cotton threads, glass beads. Warp, embroidery on hoop, crochet. 24x138cm. Right: Retratos II (Portraits II), 2017. Silk organza, polyester threads, glass beads. Warp, embroidery on hoop, crochet. 24x138cm.
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                                                                                    • Daniela Bergschneider, Germany. Untitled, 2015. Dyed fabrics, woodsticks. 160x125x25cm.
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                                                                                    • Darwin Fuentes, Ecuador. Diary of Dreams, 2015. Textile marker on bed sheet. 245x200cm.
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                                                                                    • Dorthe Herup, Denmark/Norway. Fisker Andreas Berg, 2015. Wool, cotton. Handwoven tapestry. 190x145cm.
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                                                                                    • Dorthe Herup, Denmark/Norway. Styrmann Mortensen fra Erøskøbing, 2017. Wool, cotton. Handwoven tapestry. 110x160cm.
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                                                                                    • Elisabeth Brandt, United States. Shapeshifter, 2015. Cotton fabric, polyester thread, batting. Machine pieced, machine quilted. 216x226cm.
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                                                                                    • Erica Hess, United States of America. Iteration (Woven), 2016. Linen, wool, synthetic indigo, velcro, cotton twill tape. Handwoven ikat. 363x142cm.
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                                                                                    • Fátima Teles, Portugal. Construction Line, 2018. Wood, canvas and threads. Embroidery on canvas. 159x78cm.
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                                                                                    • Fiona Kirkwood, South Africa. Post-Apartheid Neighbors - Nokwanda and Me, 2016. Plastic and glass beads, nylon, synthetic chiffon, cotton, plastic, metal, ribbon, polyester, ikhwani grass, aluminium. Designing, digital printing, machine and hand stitching, beading and plaiting. 200x200x200cm.
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                                                                                    • Fiona Kirkwood, South Africa. Post-Apartheid Neighbors - Nokwanda and Me, 2016. Plastic and glass beads, nylon, synthetic chiffon, cotton, plastic, metal, ribbon, polyester, ikhwani grass, aluminium. Designing, digital printing, machine and hand stitching, beading and plaiting. 200x200x200cm.
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                                                                                    • Fiona Kirkwood, South Africa. Post-Apartheid Neighbors - Nokwanda and Me, 2016. Plastic and glass beads, nylon, synthetic chiffon, cotton, plastic, metal, ribbon, polyester, ikhwani grass, aluminium. Designing, digital printing, machine and hand stitching, beading and plaiting. 200x200x200cm.
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                                                                                    • Fiona Kirkwood, South Africa. Post-Apartheid Neighbors - Nokwanda and Me, 2016. Plastic and glass beads, nylon, synthetic chiffon, cotton, plastic, metal, ribbon, polyester, ikhwani grass, aluminium. Designing, digital printing, machine and hand stitching, beading and plaiting. 200x200x200cm.
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                                                                                    • Giorgia Volpe, Brazil/Canada. Cadéncia, 2017. Recovered banners. Weaving. 5 pieces of 183x92cm.
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                                                                                    • Greta Kardi, Lithuania. Knitted-Found Art, 2018. Wood sticks. 10x10m.
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                                                                                    • Greta Kardi, Lithuania. Knitted-Found Art, 2018. Wood sticks. 10x10m.
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                                                                                    • Greta Kardi, Lithuania. Knitted-Found Art, 2018. Wood sticks. 10x10m.
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                                                                                    • Guoxiang Yuan, China. ∞, 2016. Silk. Tie-Dye. 125x165cm.
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                                                                                    • Heike Schaefer, Germany. Labyrinth, 2016. Sewn jersey, epoxy resin, acrylic paint, pigments. 62x38x40cm.
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                                                                                    • Helle Mellemstrand, Norway. Memory Bank, 2016. Recycled wool blankets, glue, 50 bowls from 15 to 50cm diameter.
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                                                                                    • Hugo Brazao, Portugal. Hiato (fragment), 2017. Calico, felt, cotton, upholstery webbing, carpet underlay, ropes. 250x330cm.
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                                                                                    • Iván Mendoza Arias, México. The Line of Tradition 1, 2018. Polyurethane foam and nylon thread. Intervened object. 120x120x40cm.
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                                                                                    • Jacobo Alonso, México. Embodiment, 2018. Felt. Laser cutting, assembling. 18x28x60cm.
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                                                                                    • Jennifer Robertson, Australia. Tetrahedra in Olivine, 2016. 100% basalt, stainless steel, silk, linen, silver, polyester. Handwoven double cloth with supplementary weft. 100x250cm.
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                                                                                    • Jenny Ymker, The Netherlands. Structure, 2017. Wool, silk and cotton. Jacquard weaving. 94,5x139cm.
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                                                                                    • Joana BC, Portugal. Phases of Materia: Water, Air, Spirit, Fire and Land, 2018. Porcelain, rags, embroidery threads, fabrics, cork and beads. Mixed media. 41x22x16cm around. Five pieces.
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                                                                                    • Kari Hjertholm, Norway. Surface Variations, 2016. Wool, polyester. Thousands of loops hand-tufted into the yellow surface. 190x280cm.
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                                                                                    • Krista Leesi, Estonia. Herringbone, 2018. Silk. Digital print, sewing. 120x200cm and 55x75x10cm.
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                                                                                    • Kyeong Hwa Choi, South Korea. Ot-Bo, 2016. Ramie fabric, silk threads. Samsol (traditional Korean technique). Hand sewn. 105x105cm.
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                                                                                    • Laura Tabakman, United States. Left: Delicate Formations I, 2016. Cyanotype on paper and cotton and silk fabrics layered and sewn. 2 pieces. 38x120cm total. Right: Delicate Formations II, 2016. Cyanotype on paper and cotton and silk fabrics layered and sewn. 2 pieces. 56x160cm total.
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                                                                                    • Leni van Lopik. Netherlands / Portugal. Going On. Until 2018. Copper wire, eucalyptus acorns, different materials. 10x10x25cm. 100 pieces aprox.
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                                                                                    • Leni van Lopik. Netherlands / Portugal. Going On. Until 2018. Copper wire, eucalyptus acorns, different materials. 10x10x25cm. 100 pieces aprox.
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                                                                                    • Magdalena Kleszynska, Poland. Untitled (Rocks), 2018. Wool, threads, moulin, metal sheet. Own technique. 240x70cm (7 pieces).
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                                                                                    • Malgorzata Górska-Ogórek, Poland. Personal belongings, 2016. Used clothes. Hand stitching. 9 pieces of circa 10x15cm each.
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                                                                                    • Margherita Isola, Italy. Untitled Migrant, 2018. Pieces of clothing. Embroidery, lithography. 12 pieces. Variable dimensions.
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                                                                                    • María Luisa Ferreira, Portugal. 40 triángulos (40 triangles), 2017. Linen, wire and bronze rods. Own technique. 40 pieces of 65x32cm each.
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                                                                                    • Olivia Babel, Francia. Foedo, 2017. Handspun and hand dyed wool, metallic threads, bronze tubes. Tapestry. 140x130cm.
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                                                                                    • Supawinee Charungkiattikul, Thailand. Fade, 2014. Handwoven carpet. Waste materials. 170x240cm.
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                                                                                    • Tamar Chabashvili, Georgia. Book of Patterns, 2016. Plywood, fabrics, water-based paint. Fabric book 70x70cm when closed. 8 stamps in wooden boxes.17x17cx10cm each.
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                                                                                    • Tamar Chabashvili, Georgia. Book of Patterns, 2016. Plywood, fabrics, water-based paint. Fabric book 70x70cm when closed. 8 stamps in wooden boxes.17x17cx10cm each.
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                                                                                    • Wlodzimierz Cyan, Poland. Special Relationships, 2017. Linen,viscose, plastic tubes. Weaving. 3 pieces of 50x70cm each.